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The NCAA, Transgender Athletes, Economic Sanctions, and Totalitarianism.

June 16, 2020
Almost all my posts are apolitical. My goal is to submit images and words that are of benefit to all.
However, on rare occasions, I read something in the paper that pisses me off so much that I feel a strong need to write about what I have read.
If you wish to comment, please do me the courtesy of reading this entire essay and thinking about what I have written before you leave a comment. Thank you.
My essay concerns the NCAA, transgender athletes, economic sanctions, and totalitarianism.
But first, some definitions are in order:
Girl/Woman – a female human being with a genuine vagina, ovaries, and etc. who was born female.
Trans-woman – a male human being with a penis and testicles, etc., who may or may not have had his genitalia voluntarily amputated, and who may or may not have had breast implants, or taken estrogen shots in an attempt to make “herself” more feminine. This person was born a male human being, but suffers from a serious mental disorder, sometimes called Gender Identity Disorder, and believes he is a she, but is not actually a she.
Boy/Man – a male human being with a penis and testicles, and the male plumbing that goes along with these body parts, who was born male.
Trans-man – A female human being with a genuine vagina, ovaries, etc. who may or may not have had her breasts surgically removed, and who may or may not be taking testosterone shots in an attempt to be more masculine. This person incorrectly identifies as male, has a serious mental disorder, and was born female.
Does everyone understand? If so, good. If not, go back and re-read the previous paragraphs as many times as necessary until you understand.
Now, the article I read today, Tuesday, June 16, 2020, in the Idaho Press, a local paper published in Nampa, ID.
It is important to know at least the core of what the article is about, and so I will type up the first part of it here:
Headline: “Anti-transgender law puts sports revenue at state.”
(The headline should read “Anti-transgender law puts sports revenue at stake.” But anyway..)
“Idaho’s anti-transgender sports law goes into effect July 1. But already the state risks losing millions of dollars as advocates call for an NCAA boycott.
The soon-to-be law bans transgender women and girls from competing on sports teams that align with their gender identity.
Athletes and rights groups are demanding the NCAA move its national basketball tournament and other college competitions from Boise next year. That would deal a further blow to businesses in an ailing economy.
‘That is one of our larger economic impact events for sure,’ said Carrie Westergard, director of the Boise Convention and Visitors Bureau.
She says when March Madness came to Boise in 2018 it brought $15 million to the state. The tournament games accounted for about 2,000 hotel nights. On top of that, those thousands of visitors are going out for dinner and drinks.
If the tournament happens on schedule, it could boost a service industry hit hard by COVID-19 restrictions.
‘We definitely do not want to lose business like the NCAA that has a huge impact on our community.'”
Leftist activists want to impose economic sanctions on Boise and the rest of the state by banning NCAA events here, and costing the city and the state of Idaho millions of dollars because a state law was passed to ban “girls and women” from being on girls’ and women’s teams, and ban “boys and men” from being on boys’ and men’s teams.
Why do I have a problem with transpersons being on teams whose gender they identify with?
Consider this possiblity: A “woman,” who is, in actuality, a man, who stands 6’9″, and weighs 220 pounds – all muscle – is allowed to play on a women’s basketball team. Let’s say this individual is not only an actual man, but someone who is exceptionally skilled at basketball. This person will dominate the sport, and give the team “she” is on a decidedly unfair advantage over teams who have only women athletes.
Not only that, but this “woman” will break all sports records for the team, and receive a woman’s scholarship – thereby denying a scholarship to someone who is a genuine woman.
Also, this “woman” will likely be allowed to change clothes and perhaps even shower with real women.
In order to remain competitive, other teams will have to find other “women” to join their rosters. More and more “women” will be on the teams, and less and less real women will play. And more and more trans-women will win athletic scholarships meant for real women.
Is this fair? No, it is absurd. And especially unfair to female athletes who are genuinely female.
Now, let us consider a woman who is a trans-man, playing on a male sports team, and changing clothes and showering in the men’s locker room. A small minority of male athletes in this country are terrible people. They are both able and willing to abuse and rape this tran-man, who is in fact a woman.
And a trans-woman, who is a man, has ample opportunity to damage women, if this person is allowed full access to a women’s locker room.
You may argue that the Idaho law discriminates against transgender athletes. But the law protects genuinely male and female athletes from being discriminated against. This law also aims at preventing abuse.
The Idaho congress recently passed this law to ensure that the vast majority of athletes, who are genuinely female and male, are protected, and to attempt to make sure the playing field is truly as level as possible.
But activists do not want this. They care most about furthering the cause of the LGBT
community (and whatever letters and symbols you want to add after so as to be inclusive.. I have sometimes seen LGBTQ+ and other designations), no matter who else is a victim. Even if they inadvertently put members of this community at risk of abuse.
These activists even want to punish not only of the city of Boise, but the state of Idaho by denying incredibly important revenue.
This is totalitarian ideology put into practice. That is, if the boycott actually happens.
Such a thing has already happened. Here is the rest of the article:
“The NCAA pulled tournament games from North Carolina for a law that forced transgender people to use bathrooms that did not align with their identity. The state legislature then repealed the bill.
Representative Barbara Ehardt is the Idaho Falls Republican who sponsored the Idaho law. She maintains the law is meant to protect female athletes and wouldn’t say whether the financial hit would be worthwhile if the NCAA pulled competitions from the state.
‘It’s disappointing because particularly looking at the women on this letter, these women benefited, absolutely, from Title IX,’ she said.
Title IX is a law mandating equal treatment of men and women in education.
The Idaho Attorney General’s Office has warned the new law may violate the Constitution’s Equal Protection clause. And the ACLU has sued the state, saying the law is unconstitutional.
The NCAA is reviewing whether the law violates its anti-discrimination policies.”
Unconstitutional? Seriously? If interpreted this way, the Equal Protection clause can eventually be applied to.. anyone.. regardless of what kind of destructive disorder a person has.. regardless of what horrible things a person wants to do. This goes way beyond sports!
To quote a line from a song I heard long ago, “If you tolerate this, then your children will be next.”
We are on a very slippery slope, and haven’t nearly reached the bottom.
 support the anti-transgender law, and I support keeping sports for actual girls and women and actual boys and men. This might not stop “progress,” but at least it will make a positive difference for student athletes, and stand against the madness of the leftist agenda and politically correct society.
Woe to those who oppose the left. Especially when lots of money is at stake.
Will Idaho cave and repeal the law, so as to keep our city and state economy from being severely crippled?
We shall see.
But we have already seen totalitarianism in action. And we shall soon see more and more of this in America.

The Covers: XI – “Enjoy The Silence.”

May 15, 2020

Ok.. moving away from classic country, after posts featuring Dolly Parton and Johnny Cash..

Definitely shifting genres..

Tonight’s selection is one of the best known, best loved songs by a group called Depeche Mode.. a band famous in the ’80’s and early ’90’s.

This band is unique in that, for much of their music, they did not use any instruments except synthesizers, the only exception being one of the guys playing a guitar occasionally.

Odd concerts they did.. not like most bands. Dudes standing at keyboards, mostly.

“Enjoy The Silence” is my favorite song of theirs, but a big reason for that is a cover version which I will present after the original.

First though.. a little bit about the band.

When they became popular here in the U.S., I was living in Chicago, and utterly enthralled by Top 40 radio. Back in the ’80’s, Top 40 radio was astonishing in both quality of music and variety.

Depeche Mode’s first big hit was in 1985, and was called “People Are People.” Being a conservative Christian kid, I was troubled by the lyrics, “What makes a man? Takes another man, help me understand.”

I thought it was a woman made a man .. you know, in movies there’s an attractive young woman, and an older man winks at a younger man and says something like, “Yeah, go with her, son, she’ll make a man out of ya.”

And this song was clearly promoting a gay lifestyle. Yeah, I was kinda uncomfortable with that (though I liked the song, otherwise. It had a lot of weird sounds, even for a new wave band) The culture back in the ’80’s, with new wave bands, especially Culture Club, with the obviously, famously gay singer, Boy George, was just starting to be more gay friendly, but not like our culture is today.

Considering the lyrics of “People Are People,” it’s no surprise that when a fellow 6th grader told me one of the band members, Martin Gore, was gay, I just accepted this.

I thought Martin Gore was gay until about an hour ago when I looked up the dude on Wikipedia.. as far as I can tell.. nope.. been married to two women, first marriage ending in a divorce and I think he is still married to second one.

I’ve read a load of Wikipedia articles in the past. A person’s sexual orientation comes up in some way or other in every article.

Can’t blame the kid who gave me the wrong information for being confused though.. gay reference in the lyrics, and Martin Gore’s androgynous image.. But then, who didn’t have an androgynous image back in the ’80’s? The hair metal guys did, especially Stryper, one of my favorite bands from back then, the new wave bands like Depeche Mode and Duran Duran, even Michael Jackson looked effeminate.

Alright so that rumor.. false.

Second thing I was told about the band when I was young.. the word “depeche” is French for “depressed.”

The band has made some.. many.. depressing songs.. but “depeche” meaning “depressed” has also turned out not to be true.

According to Wikipedia, the band liked the name of a certain French magazine, and used the name for their band.

But “depeche” means “dispatch” (which is what I came up with on google translate), or “news report.” And “mode” means something quite different than it does in English. The word, in French means “fashion.” I didn’t know that either..

The band thought the phrase meant “hurried fashion or fashion dispatch.” But according to Wikipedia, the name is best translated as “Fashion News,” or “Fashion Update.”

So… two things I believed about the band are in fact false. I so often learn something about songs and/or bands when I do a bit of research for these posts!

The band did not have another hit in the U.S. for 5 years.

1990 was a very good year for the band.. the year their album “Violator” was released. That album.. broke big.

First single was called “Personal Jesus.” Being an uptight Christian kid, I did not like that one either. Actually, I still don’t.. not because of the lyrics (I’m still uptight, but haven’t been a Christian in decades), I don’t like the music.. just don’t care for the song.

It was a very upbeat tune for Depeche Mode.

Their second single from Violator was much more somber, and I really liked it. That song was “Enjoy the Silence.”


If you haven’t heard this one in awhile, your reaction might be.. “hmmm… pretty ’80’s,” even though it was released in 1990. Still a great song though.

Here’s a live version from 1993..


.. But I like the cover version sooo much better.

Would I call myself a metalhead?

Yes, and no. I’ve been listening to metal since the ’80’s.. ok.. mostly hair metal back then.. but some Metallica tossed in, and a bit of Iron Maiden, and a whole lot of music by a very heavy (though perhaps not metal) Christian band called Rez, originally called Resurrection Band.. for more on this band, see my first two covers posts..

I still listen to metal. Often.

But.. the vast.. I mean the VAST majority of metal bands I cannot stand. I just have a few favorites.

The band I’m about to introduce to you is one of them.

Lacuna Coil.

Italian band (lyrics written and sung in English), formed in 1994.

“Lacuna” means empty.”

You might have encountered the word “lacuna” in a rather strange film.. “Eternal Sunshine of the Spotless Mind.” One of my favorites. I will put the trailer at the bottom of this post, just for fun.

In the film, Lacuna is the name of a company that creates memory loss.. helping people not remember past traumas and disappointments. An empty space in the mind where the memory had been. Not a bad idea, or maybe..

The band Lacuna Coil thought of the name as meaning “empty spiral.” Why they chose the name, I do not know.

The group features both a female and male vocalist. The woman, Cristina Scabbia, sings more often than the male vocalist. Scabbia is a very good singer and frontwoman. She really impresses me.

There have been many metal bands that have female and male vocalists, such as the American band with the name I can’t spell and had to look up, Evanescence, the Finnish band Nightwish (another favorite of mine), and Amaranthe, from Sweden (yes, it really does seem like practically half of all metal bands come from Sweden). Amaranthe has one female singer and two male singers, but anyway..

I got into Lacuna Coil after reading about them in a guitar magazine. And right away, I bought their album “Karmacode,” released in 2006. Actually.. I first took an interest in the band after hearing an amazing song of theirs, called “Swamped,” on a sampler CD, then read about them..

Karmacode was Lacuna Coil’s third full-length album. I was thrilled to find a cover of “Enjoy the Silence” on that album.

If you want to get into Lacuna Coil, start with their second full-length album, “Comalies,” (the title being a combination of two words, “coma,” and “lies,” the song “Swamped” is the first track on that album) and then move on to “Karmacode.”

They’ve made some albums since, but I haven’t paid attention.

Why? A personality trait I have regarding music.. if I really love a few of a band’s songs, those are the only ones I want to hear, and have serious doubts any new material will sound as good. Pessimistic, I suppose, and I’ve not always been right.

Another reason, I listen to a staggering amount of bands.. but most bands in my various playlists, only one song per band. More variety that way, and also, so many bands seem to only be able to create just one good song.. or at least one song I like.

I’ve got at least six songs by Lacuna Coil in my playlists though, most of them from Karmacode. And “Enjoy the Silence” is the one I listen to the most.

Thanks for being so patient.. you are probably thinking.. play the damn song already!

So here it is, the version I like a lot more than the original.. (With artwork from the single, which is better than the pretty dull but strange album artwork)..

If you want to see what the band looks like.. here’s the video. Why are there cows in the video? I don’t know..

Alright! You were bangin’ your head, weren’t ya?

Not sure what cover tune I’m going to write about next..

Bonus material..

A Rolling Stone magazine article about Depeche Mode, published in 1990:

And the trailer for “Eternal Sunshine of the Spotless Mind.” Watch this movie!


Thanks for reading and listening, friends!

The Covers: X – “The Man In Black.

April 27, 2020

Last of four posts featuring Johnny Cash.

This one is odd for three reasons:

  1. It is not entirely a cover, since Johnny sings on part of the cover – he does a duet with the singer of the band covering this tune.
  2. This version is a hard rock/punk version by an obscure band. A punk cover had been made the year previous to this recording, but it was made by a much better-known band. In an earlier post, I presented the classic punk group Social Distortion’s cover of “Ring of Fire.” Cash did not sing on that one. What’s strange is the band this time was not at all famous. And Cash was on the recording. Only people like me who are in their 40’s or older, and who were into Christian hard rock when we were young (I graduated high school in 1991), probably remember the band Cash did this cover tune with.
  3. The third strange thing is I can find no information online on how this collaboration came to be.

This song is one of Cash’s best known and best loved. Here is some info from Wikipedia on the history of the song:

Man in Black” (or “The Man in Black“) is a protest song written and recorded by singer-songwriter Johnny Cash, originally released on his 1971 album of the same name. Cash himself was known as “The Man in Black” for his distinctive style of on-stage costuming. The lyrics are an after-the-fact explanation of this with the entire song as a protest statement against the treatment of poor people by wealthy politicians, mass incarceration, and the war in Vietnam. In the intro to his first performance of the song, Johnny Cash revealed he had talked to some of the audience members from Vanderbilt University that weekend, and was inspired to write “Man in Black,” revising it a few times just before the concert on Wednesday. He performed the song holding a piece of paper with the just-revised lyrics. At the end of the song he received a standing ovation.”

And now, the cover version/duet.. with the Christian punk/hardrock band One Bad Pig – a band who many Christians did not like.. these guys enjoyed smashing guitars and doing Gallagher-like stunts (though no watermelon smashing), and generally had a good time on stage. They, like pretty much all Christian bands except Stryper, were unknown outside of Christian circles.

But Cash was cool enough and had a good enough sense of humor to not only allow this recording, but to sing on it.

Cash purists will not like this cover version, but I am still going to post it. Why? Because it is a lot of fun. Also, I remember, back in ’91, a friend telling me “Johnny Cash is on the new One Bad Pig album!” I’d already bought OBP’s first album, and was a fan. I was very surprised to hear Cash on the second one.

So, from the 1991 album, “I Scream Sunday,” here is Johnny Cash and the band, One Bad Pig:


Alrighty..  Hope you aren’t deaf..

This was the last of four posts with Johnny Cash. I don’t plan on doing multiple posts on bands in the future, but who knows.. Actually, yes, I do have two Led Zeppelin covers in mind.. but I won’t be doing either of those next..

Next post is a song from one of the best known ’80’s syth-pop/new wave bands, and an Italian metal group’s fantastic cover.

RIP Johnny Cash.. you were, and always will be, The Man in Black.

The Covers: IX – “Hurt.”

April 27, 2020

This is the third of four posts featuring Jonny Cash.

As I mentioned in the previous post, Cash made several albums late in his career, with producer Rick Rubin.

Rubin had some unusual ideas for songs he thought Cash could cover. Last post was about the Soundgarden song “Rusty Cage,” and Cash’s cover of it.

This is the other cover that Cash is most famous for, at least for people of my generation,  “Hurt.” The song was originally recorded by Nine Inch Nails, an incredibly popular industrial hard rock band, fronted by Trent Reznor. (Supposedly, the nails used to crucify Christ were nine inches long. And no, NIN is not a Christian band).

Reznor wrote “Hurt,” and most if not all NIN songs. He also has created much of the musical arrangements. Reznor pretty much is Nine Inch Nails. “Hurt” was from NIN’s bestselling album, “The Downward Spiral,” released in 1994.

A word about industrial music before I go any further.. it is a genre that blends elements of dark hard rock, such as distorted guitar tones and intense vocals, as well as disturbing lyrics, with strange sound effects, including noises you might hear at a construction site, auto shop, or a factory. Lots of different mechanical noises, and sounds created on a computer or with a synthesizer, programmed drum beats.. Weird stuff.

Here is the original recording.. it starts almost imperceptibly, with just an eery sound effect for a few seconds..


And here is Johnny Cash’s version, from the album “American Recordings IV: When the Man Comes Around.” This album, from late 2002, was the last of Cash’s to be released while he was still alive. Cash died in 2003, at the age of 71.

Here is the cover song, not just the audio, but the video as well. One of the best videos ever made, I think. Especially if you know about Johnny’s past – struggles with drug addiction and so forth that not only caused damage to himself, but those closest to him as well.


If you would like to know the story of Cash teaming up with Rick Rubin, and how this song came to be covered by Cash, please take 10 minutes or so to watch this video from one of my favorite youtube channels, Rock and Roll True Stories. In the video are scenes from Cash’s last interview, as well as audio from an interview with Trent Reznor, the writer of this song.



For my fourth and last post on Johnny Cash, I am going to do something rather odd, that I don’t feel exactly good about. I think “Hurt” would have been a good place to end things with Cash, but..

Next post I’m going to present to you a song that isn’t entirely a cover song, since Johnny sings on both the original, one of his classics, and does a truly bizarre duet with an obscure Christian hard rock band that covered the song. I’m doing this to show a lighter, humorous side of Johnny Cash, and what a good sport he was to re-record one of his most famous songs in such a strange way.

After that post.. not sure.. too many ideas..

Stay with me..



The Covers: VIII – “Rusty Cage.”

April 26, 2020

Greetings once again, music lovers! Tonight’s offering will be the second of four posts featuring Johnny Cash.

The song “Rusty Cage” was originally recorded by one of my favorite bands, Soundgarden. This band was tremendously influential in the ’90’s, and one of the Big Four grunge bands from Seattle, the others being Pearl Jam, Alice In Chains, and Nirvana.

“Rusty Cage” was written by one of the greatest rock singers ever, the late Chris Cornell, and was from the 1991 album “Badmotorfinger.”

A few things I want to write about regarding this song and video,  1. This is not even close to my favorite Soundgarden song, even though it is one of their classics. The fast tempo of most of the song is not something they did very often. They tended to have more riff-heavy slow songs. 2. I’ve learned not to try and make sense out of Soundgarden’s lyrics.. such as the lyrics in the slow part of the song. 3. If you suffer from epilepsy, I recommend not watching this video. I’m serious.

Ok.. You’ve been warned..


After hearing this song, you are probably wondering why one of the greatest music legends of the 20th century, Johnny Cash, decided to cover this..

Ok.. I will be as brief as I can..

Legendary music producer Rick Rubin (a sasquatch-wolfman looking dude with sunglasses he wears indoors) had previously talked with Cash about making an album. Cash made an album with Rubin called “American Recordings.” This was Cash’s.. wait for it.. 81st album!

Awhile later, Rubin and Cash made another album. This one was called “Unchained,” released in 1996 .. and no, the Van Halen song “Unchained” is not the one Johnny covered.. it’s a different “Unchained.”

This album featured some covers. That in itself, not an odd idea.. but.. Rubin thought “Rusty Cage” would be a good song for Johnny to cover. The 64-year-old Cash was surprised, but his backup band, mostly comprised of Tom Petty & The Heartbreakers, came up with an arrangement.. and it worked amazingly well. I like the Cash version a LOT more than Soundgarden’s original. You probably will too.


Alright.. a bit of bonus material.. a short video on how the album “Unchained” was made.


Next post, Johnny Cash with a cover of the heart-breaking song “Hurt,” originally recorded by Nine Inch Nails.

The Covers: VII – “Ring of Fire.”

April 19, 2020

The last two posts involved Dolly Parton. This and the next three after will be partially about Johnny Cash.

As with several other songs, the version I thought was an original by a famous performer turned out to be a cover.

That’s right. “Ring of Fire,” originally “(Love’s) Ring of Fire,” was written by Cash’s future wife, June Carter and her cowriter Merle Kilgore. It was recorded by June’s sister Anita in late 1962, and released in 1963.

Here is the original..


Wow.. so different from any other recording of this song! And it is rather good! I love how her voice goes up a few times before it fades.. Maybe this is an example of the “high lonesome sound” of old-timey and early country music.

Next is Johnny Cash’s version.. also released in 1963.. and I really can’t stand it. Why? The damn mariachi band. Some mariachi music I can sort of appreciate, but not in a Johnny Cash song!


You want to hear johnny’s version without the horns? Ok. Here he is, late in his career, performing part of the song live, without horns.. yeah this is better.


And now the version I am most familiar with.. the punk rock cover by Social Distortion, This version was released in 1990.


There are other covers besides these of course. I just wanted to post the two I’m most familiar with, as well as the original, which I just discovered this past week. I will be adding the original to my early country-old-timey-americana playlist on my various devices. I call that playlist “kinda folksy,” and it spans many decades.

Next post.. Johnny Cash and the mighty Soundgarden.

The Covers: VI – “Jolene.”

April 14, 2020

Last post, I wrote a bit about a song called “Making Believe.” I first thought it was an original by a Danish metal and punk band called Volbeat. Later, I heard Dolly Parton’s version and thought she’d written it. Nope. It was recorded in 1954 by a country singer named Jimmy Work. Not a Dolly original, like I’d thought.

The song for this post, “Jolene,” is a Dolly original, and one of her most famous tunes.

Here is Dolly explaining the origin of the song, and performing it:


And here is the version I first heard.. which will blow your head off..

The White Stripes.. Jack and Meg White.. Jack often claimed they were brother and sister. Not true. They were married for little while. Among many unconventional things Jack has done, he took Meg’s surname, instead of her taking his, when they married.

They were married from 1996-2000. They formed their radical, intense, two person band in 1997. They got divorced before they became massively popular. Must have been weird to tour together after the divorce, but Jack is a weird dude..

I don’t really need to write about the woman who wrote and originally recorded this song. She’s a legend.

But I do feel I should mention an amazing, very entertaining, and even educational podcast series called Dolly Parton’s America, created and hosted by Jad Abumrad (pronounced ah-boom-rod), one of the two guys from one of NPR’s most well-loved shows, Radiolab. (NPR – National Public Radio, in the US. There are tons of NPR and related podcasts.. some of them really worth listening to, such as Radiolab). Abumrad met Dolly because his father was her doctor.

Abumrad and Parton got to talking, and Jad had an idea for a podcast.. not just about Dolly, but about the country music scene when Dolly was young, how America has changed over the decades, and many more subjects.

Not having grown up with country music or being much of a country fan now,  I’ve, until recently, paid little attention to Dolly Parton. When I was a kid, other boys told me about her boobs. That’s pretty much all I knew about her when I was young. Country singer with big boobs.

There’s a LOT more to know. I listened to the whole series. It was excellent. I’ll listen to it again someday.

Check it out here..

The next four posts will feature Johnny Cash!


Thanks for stoppin’ by!


The Covers: V – “Making Believe.”

April 11, 2020

5th in my cover tunes series..

I first heard this song as performed by Danish metal/punk/country band Volbeat, on their 2008 album, “Guitar Gangsters and Cadillac Blood.”  Having never heard the tune before, I figured it was an original..

But then I heard a version by Dolly Parton, and thought that one was an original..

..Until I looked up the song on youtube and saw a comment stating that there was an earlier version by a woman called Kitty Wells, and that she had recorded the song in 1955..

That version was also a cover. A lot of people online don’t know this, apparently.. judging by various youtube comments.. This song has been covered by over 20 artists and bands!  I had no idea.

Sadly, this is a song that pretty much every human being on the planet can relate to. I think that’s partially why it has been covered so often.

The original was recorded by Jimmy Work, in 1955, according to Wikipedia, but in 1954, according to a website called secondhandsongs.

Ok then.. as far as I can tell, this is the original..


Here is the Kitty Wells version from the same year, or a year later..


Here is Dolly Parton’s cover, from 1963..

(If I get any of the dates, years wrong, etc. please let me know, and provide evidence, not opinion. Thanks).


I like some of Dolly Parton’s recordings, but for me, that was excruciating.

Those of you who like classic country, but who don’t like punk or metal will not care for my favorite version.. the one I first heard.. by Volbeat..

Alright, and yes, to be fair, even a punk version of this had previously been recorded, in 1992, by Social Distortion, so what Volbeat did.. making the song heavy.. wasn’t their idea.. ok whatever. I like Volbeat more than Social Distortion, so there..


That was fun.. amazing how far down the rabbit hole goes with some of these cover songs!

Next covers post.. a Dolly Parton original.. (it damn well better be).. covered by The White Stripes.

Steve Stevens: Flamenco Guitar Solo.

April 2, 2020

I’m going to make a brief diversion from my recently begun series on cover tunes.

In my previous post, I wrote a little about Steve Stevens, most well-known as Billy Idol’s guitarist (Stevens also co-wrote some or all of Idol’s songs).

I decided to check out more of Steven’s music, and was surprised to learn that not only is he an excellent rock guitarist, but a rather good flamenco player as well.

Here a live version of his flamenco music (4.5 million views so far!) :




The Covers: IV – “Don’t Let The Sun Go Down On Me.”

April 2, 2020

In the previous two posts were songs by The Who, one original, and one a cover.

For this post, I am featuring Roger Daltrey in a recording he did not make with The Who. Daltrey’s version was the first I heard. It was on an amazing soundtrack from an even more amazing (and intentionally silly, but very stylish) vampire film, called “The Lost Boys.” The movie and soundtrack were released in 1987. I’m not a big fan of horror movies, but damn this film was great.

One reason I liked the movie so much.. it was mostly filmed in the beautiful and rather creepy Northern California coastal city of Santa Cruz, and the Santa Cruz Mountains. During the early to mid ’90’s, I spent a lot of time in that city, and the neighboring, smaller city of Capitola (though very little time in the creepy parts) and lived up in those mountains for four summers.

I don’t know about vampires, but there is a lot of weird stuff that goes on in Santa Cruz County. If you visit, stick to the tourist areas. No joke. And don’t go wandering in the heavily forested mountains either. Friendly locals told me not to do that. “Deliverance”-type people up there and who knows who else.  There’s reasons this film was set in a fictionalized version of Santa Cruz County.

I will put the trailer for “The Lost Boys” at the bottom of this post.

First though, the original recording, by Elton John, from his “Caribou” album, which was released in 1974:


Sir Elton released a live version of this song with George Michael in 1991. The two had previously performed the song together in 1985, with Elton playing piano and George singing. This was for the massive Live Aid concert series.

I’m not selecting that one as the cover for this post, even though I like both Elton John and the late George Michael. Besides, with Elton performing on it, it is not a cover.

As with previous and future posts, my goal with this one is to provide a cover version that sounds somewhat different from the original. And sounds at least as good, or in this case, even better, in my opinion, than the original.

Here is Roger Daltrey’s version:

Quite different, indeed! Epic.

A strange thing about this version.. the ending guitar riff sounds very similar to the bridge in Billy Idol’s “Eyes Without A Face,” only slowed down. Did Steve Stevens, Billy idol’s guitarist and co-songwriter, play on the song you just heard? I looked up Stevens on Wikipedia, and did not see a credit for him listed under soundtracks, and also googled around awhile trying unsuccessfully to find a list of performers on Roger Daltrey’s track.. so my guess is no. But the guitar tone and the riff sure sound similar to what I hear in “Eyes Without A Face.”

In the next two posts, I will focus on Dolly Parton songs, one of them an original, and one a cover. I just realized it was a cover a few minutes ago while researching the song. I will be posting the original of that song, Dolly’s cover, and then a radically different cover.

As promised.. here is the trailer for “The Lost Boys.” One of the best horror movies ever.